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January 2008

January 23, 2008

IN THE STUDIO: The Guild

The_guild Monday marked the kickoff of what I'm calling The Guild - the convention of a mess of local musicians, engineers and anyone else who "does" music. Past and future Backthird recording artists scarfed drinks and crackers alongside a representative from the City of Aurora, Chuck Berry's former bass player, half of a kind-of-jam band and the composer of songs about zombies and birth control. As someone put it to me later in the evening, "it's just good to be around people who don't think you're crazy."

More than two dozen of us defied the cold to be here. We mingled most of the night, but put the partying on hold just long enough for a short group discussion about the concept of musical environment. What's the context in which you make the music that you make? Our answers took us from church to classroom to the bar, and from the local playhouse to the World Wide Web.

Naturally, we also debated the meaning of the word "hippie."

If you couldn't join us, you missed a good time - but you're not alone. The response to my e-mailed invitation, coupled with the comments in the studio guestbook Monday night, is confirmation enough for me that this is something worth continuing. I'll throw a date out now for our next get-together: February 18. Mark your calendar, then watch this space for details.

If you're not on the studio mailing list, sign up using the box to the right. To see more photos from Monday's gathering, click the picture above.

January 16, 2008

The Guild: Poinsettias

Poinsettia when: 7:30pm Monday, January 21

where: Backthird Audio (click for directions)

who: people who play, write, record, or promote music in any way, shape or form

what: snacks, drinks and most especially people

plus: a word or two about my potted plant

January 08, 2008

FROM BENJIE: The Big Question

Question_clef

In retrospect, Johnny may have been a prophet. 

I went to college with this Korean kid who, for reasons too deep and mysterious to get into, insisted on pretending he had just learned English. Johnny lived in the U.S. most of his life, attended public schools for years, and – rumor had it – could wax downright eloquent when he was too exhausted or emotionally distraught to pretend not to know English any more. Yeah – being tired made him act smarter. But the rest of the time, Johnny played a caricature of himself. He was the fresh-faced exchange student, absurdly innocent and absolutely clueless, roaming the halls of our college dorm with his head cocked to one side and asking questions of us all in broken English.

Johnny’s favorite question was the simplest. Once or twice a week, he’d ramble up to someone – usually someone he already knew – and squint in exaggerated consternation.

“Excuse me,” he’d say. “Who are you?”

That Johnny never seemed to ask that riddle of himself – or, if he did, to find the answer – makes me kind of sad in retrospect. But I can’t be too tough on him. The question’s hard. I ask it of myself, too, over and over again – especially, I think, in January. The end of the holidays seems like a good time to recalibrate, to set some goals and ask myself what I’d like to see happen in the months ahead. But that’s a dangerous pursuit – my “what” turns into “why,” and then back into “who”:

What are my goals? What will I do this year?

Wait – Why would I want to do that? Why’s it matter? What’s the point?

Wait – why does anything that I do matter? What’s the point of me? Who am I?

And poof! Prophet Johnny’s back to ask that question among questions, waxing ignorant again, stirring up trouble from his soapbox in my psyche.

If you find yourself wondering about the biggies, too, congratulations – you’ve probably got some great art in you somewhere. Creating and experiencing music – or, for that matter, theater or sculpture or great food – give us another language for asking and answering those questions. You’re not going to scratch the existential itch by reorganizing your sock drawer, though – so if you don’t speak art, find a piano teacher or get in a photo class quick as you can.

Do one more thing, too – join us. Businesses aren’t nearly as big as human lives, and it’s taking me less time to discover what this business is about than to decide who I am as a person. This business, Backthird Audio, is an “us” – it’s a means for people who love music to serve and push against each other, to ask big questions and swap answers, to help and grow and hopefully do things better and make things prettier. The long-term vision’s online here and here. It’s a long, slow dream. Right now it’s tiny. But I like it.

If you like it too, then join us. This year, one of the studio’s “whats” – one of the things I want to do – is to host regular get-togethers for people who love music. I want us to network, learn, swap ideas and songs and stories, eat, drink and maybe even play. I want to find out who we are, and why we’re doing music, and how we can do it better. It’s something I’ve wanted to do for a long time. Now it’s time.

So join us. Mark your calendar for Monday, January 21 – the night I hope can be the first time for a bunch of us to all get in a room together. I’ll send out the details soon, so watch your inboxes. I’ll see you then.

January 07, 2008

Head talks; people listen

Nice summary in Wired this month of the various options available to recording artists in the current music-business climate - and it's written by the Talking Head himself, David Byrne. Check it out -- then click over and read Byrne's interview with Thom Yorke while you're at it.

TIPS AND TOOLS: The Big Answer

Outside of Pixar comedies, you don’t see a lot of animals with existential crises. Dogs seldom pause to question their place in the world, and geese are almost never heard to quack, “she’s cute, but am I really ready to mate for life?” It’s not for animals to question why – theirs is but to eat, mate, and die. 

You and I are different – we tend to wonder, now and then, whether we’re doing something meaningful with our lives. This is especially true with artists, since we deal more with intangibles and spend much of our time doing things that don’t serve much practical use. Your neighbor spent all Saturday putting a fence up – you spent yours making up a clever jingle about potato salad. No wonder he wants that fence. 

For me, it’s helped to have a vision – some grand sense of how I contribute and where it might all be heading. This inspires me – perhaps potato-salad songs have an important role in the universe after all! It also makes me better at explaining to others what I’m about. And if you want someone other than your mom to care about your music, that’s another skill you need. 

I’ll be speaking about vision next month in a seminar called “Dream or Die” at the SEA Conference in Lisle. Just like art – and people – vision is a work in progress. Here are some of the questions we’ll be asking. What are your answers? 

It starts with you.

  • What are you good at?
  • What do you long for?
  • How would you like to change the world?

It’s bigger than you.

  • Who resonates with what you do?
  • Who longs for the same things you do?
  • What do you have that others want or need?

Reality is a harsh mistress.

  • What should you not be doing? Whose help do you need?
  • Do you need money? (Hint: yes.) Where will it come from?
  • What habits do you need to build? How are you going to build them?

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